Pubdate: Thu, 08 Jun 2000 Source: Independent, The (UK) Copyright: 2000 Independent Newspapers (UK) Ltd. Contact: 1 Canada Square, Canary Wharf, London E14 5DL Website: http://www.independent.co.uk/ Author: Deborah Orr DRUGS, MORE DRUGS AND BURCHILL Drugs, drugs and more drugs. We newspapers crave them constantly. We are desperate for them. We cannot get enough of them. We are addicts. And we find ourselves in a spiral of addiction. Tabloid drug stories lead to broadsheet drug stories. It is a slippery slope. And we cannot resist sliding down it, try as we may. The latest drug craze to have swept the media is the Danniella Westbrook septum story. Pictures of the soap opera actress, who had destroyed her nose snorting cocaine, were first published by The Mail on Sunday, and the story proved to deliver an instant hit. Soon everybody wanted a piece of the action, and the rest of the tabloids jostled all Sunday to be cut in on the deal. By Monday the broadsheets were beginning to succumb to the irresistible lure of the splash. In discussions on Monday for my regular Tuesday column, my editor and I flirted briefly with having some of it. It was hard to say no, but I did. It would not, my editor and I agreed, be feasible to run such a story without reprinting the photograph of Ms Westbrook's missing septum. Considering it no longer appears to exist, it has already had quite enough exposure. It wasn't easy to walk away, though. There is so much to say about the drug, and about all drugs. And I'm arrogant enough to believe that I have important things to say about such matters. In this belief I am far from alone. We columnists all know that there is plenty to say about cocaine. For we have said it all before - when Dallaglio was honey-trapped, when Palmer-Tomkinson went into rehab, when the young Parker Bowles was rumbled. The list goes on and on. But when I went into my local newsagent the next day, I noted that other broadsheets had not had the strength of will to resist. The Guardian had gone the whole hog, offering its readers the oft-repeated experience of Julie Burchill on cocaine. I know about that, having taken a couple of lines of coke with her myself. I couldn't bear the thought of having the picture I knew would accompany the article in the house. Late on Tuesday night, though, a distraught friend who has lost a family member to alcohol and drug abuse telephoned. He was upset by the article, which he explained had defended the use of cocaine. It had been headlined, "You're gonna die so you might as well live". It seems that he was not the only one. In yesterday morning's Guardian, the letters page led with eight negative comments from readers. One was from a casualty officer in an inner-city hospital. "How are we going to tackle real problems if they are minimised and made acceptable?" he asked. Another was much funnier. "There is some low-grade 'Julie' being touted around certain sections of this paper. It may give the appearance of top-quality stuff, but a quick 'toot' confirms this 'Julie' has been cut with some hoary old cliches and a fair quantity of filler." It was all too much for The Independent and for me. The telephone rang yesterday morning, and there was the editor of this newspaper, Simon Kelner, on the line (as they say). "Did you see Julie Burchill's piece in The Guardian yesterday? And the letters page today? I'd like you to write about it for tomorrow's paper." Damn! I'd been so good. I'd resisted writing a story; I'd resisted reading a story. But now I was going to do both. I'd held out for only 48 hours. At this point it is only fair that I should declare the first of several personal interests in this story as it has developed. Far from being a despiser of Ms Burchill and her works, I hired her as a columnist at The Guardian, during many happy years as editor of the Weekend section. I'm afraid, as well, that when I read the story, I found it to be useful and astute on several points. Ms Burchill says: "Let us not forget that cocaine is first and foremost an anaesthetic, and therefore particularly handy for medicating the tricky condition called human." But while an insight like this one might suggest that Ms Burchill understands the degree of unhappiness and mental turmoil under which Ms Westbrook must have been labouring to become so terribly and self-destructively addicted to cocaine, she instead retreats from this position. Ms Burchill is sometimes sentimental, but only about matters with which she identifies. She does not identify herself as a cocaine addict, so she has no pity for Ms Westbrook. "Anyway, Danniella's only young still, and she's got a rich boyfriend; without meaning to be callous, she can always have a new bit stuck on." If only the mental, spiritual and physical illness which has brought Ms Westbrook so low could really be fixed so easily. Such declarations make it clear that Ms Burchill does not understand addiction at all. Some might suggest that she is in denial herself. I don't know her well enough to judge, but I do know that she is not being completely frank about her own drug use. She gives the impression that she took cocaine only for a decade in the Eighties and early Nineties, when she was "queen of the Groucho Club", before changing her life after moving to Brighton. But The Guardian itself reprinted an interview with her, by Fiachra Gibbons, now The Guardian's arts correspondent, which first appeared in the magazine The Printer's Devil. Ms Burchill snorted cocaine during the interview, which took place in Brighton. It is time now to declare another interest. My husband is a recovering drug addict and alcoholic, and one who has, like Ms Westbrook, had his addiction luridly revealed in the media. He interviewed Julie last year, clean and sober. Ms Burchill was using drugs then and invited Will to visit her when he'd given up giving up. But my husband can never "give up giving up", and the fact that Ms Burchill does not understand that is testament to the fact that she simply does not understand drug problems such as those of Danniella Westbrook and Will Self. Ms Burchill has used drugs, but as she says herself, she has, throughout her drug use, functioned. That is not the case with Ms Westbrook nor with my husband. Drug use has brought them to the depths of despair, and to the brink of death. In the end it is as simple as a peanut allergy. Some people cannot touch them, or they will die. For the rest of us, it's not such a problem. Obviously, the level of addictiveness of the substance plays a part, which is why heroin is the most dangerous drug of all. That is the trouble with our coverage of drugs, and with our "war" on them. It does not reflect the duality of the drug situation. In Tuesday's Guardian, words written by a drug user were illustrated with pictures of a drug addict. There is truth in both positions, but they are polarised positions. That is why it does not help in drug education to tell young people that drugs are always dangerous. These people see others for whom drug use is not a problem and believe they are being told a lie. While it is not a lie, it is not the truth, either. So there it is: I've written my piece, and I've had my piece of Ms Westbrook's terrible, frightening illness. Drug addiction is like a possession and responds to no logic but the inner logic of the human soul and its anaesthetised, dying will to survive. God knows whether Ms Westbrook will find the strength to overcome her vile debilitation. But I am certain of one thing. The media circus around her will hinder her progress, not help it. And everybody who has gazed in transfixed repulsion at the drug pornography that is the picture of her wasted face is a part of that. - --- MAP posted-by: Allan Wilkinson