Pubdate: Tue, 17 Apr 2001 Source: Denver Post (CO) Copyright: 2001 The Denver Post Corp Contact: http://www.denverpost.com/ Details: http://www.mapinc.org/media/122 Author: John Moore END OF AN ERA Bluebird Patrons Get Sober News The interpretation of those two tiny words turned Denver's final live concert with alcohol at certain all-ages shows Sunday night into the first under a new city policy that bans alcohol when minors are present at venues with a capacity of fewer than 2,000. Sunday's lineup of five punk bands at the Bluebird Theatre was intended to defiantly usher out a 10-year era during which alcohol was allowed to be served to those of age while minors were kept physically separated from adults. But after publicity for the event came to the attention of Denver's department of licensing and excise, Bluebird management received a stern warning Friday that the new policy was effective as of April 15, not after April 15. The punkers got punked. The show went on, but the bar was shut down, save for sales of bottled water and soda. To make up for the bar shortfall, the price of soda was increased 25 percent and bottled water 150 percent. Still, the countertop was dry, the tip jar empty and the electronic cash register dark as a mostly sullen crowd estimated at 170 watched the music with their backs to the bar. The lone bartender spent most of the evening sitting on a barstool quietly reading The Onion newspaper while one of the few bouncers present sipped coffee near the edge of the stage. "Don't let all-ages music die," Shogun lead singer Warren Zeger urged the crowd, but the resignation already was apparent. "We came out here to support this cause because we believe this kind of music is for everybody, not just those of legal age," Zeger added. "If the city wants to make a difference in kids' lives, they would cut out smoking in indoor places. That's something that would really benefit them." The past three weeks, several area promoters have been predicting what happened Sunday at the Bluebird's bar, which is exactly the reason they will schedule fewer all-ages shows. That will result in fewer opportunities for minors to watch music, and fewer opportunities for area bands to land gigs. The clubs simply will not make enough money in $6 covers, such as Sunday's, to pay for multiple-band lineups. And higher cover charges, they say, would only drive minors away. Last month, the Denver Police Department pressed for the removal of an exception to the city's alcohol policy, which since 1991 had allowed certain cabaret-licensed venues to split their premises and sell alcohol to those 21 and over. Police cited the need to fight so-called club drugs such as Ecstasy, but one patron who requested anonymity Sunday pointed out that removing the need for a split premises "just made it easier" for drug dealers. Under the split-premises policy, mingling between minors and adults was forbidden, but is allowed because of the removal of alcohol. "Take a look around," he said. "If someone were selling Ecstasy here tonight, now he has uninhibited access to every minor in the place." Members of the Denver-Boulder band Eiffel, which plays only all-ages shows, stood in the alley behind the Bluebird after their set wondering what, if any, future they have in the metro area. Several of their scheduled shows already have been canceled, they said. "One of the few places we had to play at (The Cat) already has closed because of this," said drummer Joey McChan, , "and there weren't a lot of places to begin with." Added guitarist Chris Sorensen: "All they've accomplished is breaking apart the local music scene." Guitarist Adam Tymn said the all-ages problem has nothing to do with Ecstasy. "This is not a dance, trance-inducing scene," he said. "People come here for the music. Nobody is doing Ecstasy in there." Lighting designer Greg Daniels said the police have taken the wrong approach. "Drugs are available anywhere," he said. "If they want to do something about that, why don't they shut down the schools?" Many of the minors in attendance, some as young as 14, said it was important they attend Sunday's show to assert their right to be part of the local music scene. One of the few printable adjectives they used to describe what is happening: "It's lame," said 20-year-old Kory Grow of Longmont. "They've taken away one of the only outlets for kids to go to," added Kerri Myers, a 20-year-old University of Colorado student. "There are dance clubs and there are places to see music. That is not what this place is about at all." Caleb Quinn, a 19-year-old, admitted he didn't have much of a life to begin with, "but if I did," he said, "I'm sure this would really (screw) it up." - --- MAP posted-by: GD