Pubdate: Sat, 09 Nov 2002 Source: Vancouver Sun (CN BC) Copyright: 2002 The Vancouver Sun Contact: http://www.canada.com/vancouver/vancouversun/ Details: http://www.mapinc.org/media/477 Author: Paula Brook NOT MY KIND OF A FIX From Grief to Action is Better Fit For Schools Than Wild's Rambling Film Pitch For Safe-Injection Sites Generally I like a film that leaves me squirming, at least better than I like one that leaves me yawning, or cowering under my husband's "I told you so" glare. What I really hate is when I get all three in one, as happened last month at the premiere of local film-maker Nettie Wild's documentary, Fix: Story of an Addicted City -- a rambling, rhetoric-laden pitch for safe-injection sites that doubled as a fawning farewell tribute to Mayor Philip Owen. A big fuss was made about this movie and I can see why. It's not every day you get a bunch of half-crazed rabble-rousers teaming up with an Oxford-cloth mayor to start a revolution. We're talking about the visionary four-pillar approach to solving the drug problem in the Downtown Eastside, which Mayor Owen has bravely championed -- at his own political peril, and making some strange bedfellows along the way. I can imagine a rather dramatic short feature documenting the crisis and the crusade -- possibly the very thing Nettie Wild intended to make: "When I first began this project," she told her audience, "I thought it would be a short film that would take about four months and would cover the opening of Vancouver's first safe-injection site for drug users. That was two years ago." It's a shame she didn't stick with the program, because it might have come in on budget and in a form suitable for release into schools, sparing us the awkward pitch (disguised as a goodbye tribute to Owen) for money to fix a bad fit. This is the dilemma that sent me squirming out of the Vogue Theatre: I'd have written a cheque in a minute if it was going toward funding Vancouver's first safe-injection site, but not to help get this misguided film into classrooms. In fact, I'd probably pay to keep it out of the schools. The problem is that Wild lets her emotions lead the way through a very dark thicket where what's needed more than anything is the bright light of reason. She gets too attached to her protagonists, telling us way more than we need to know in the course of the 93-minute film about their troubled (un)private lives. Most of the story is told through Dean Wilson, a foul-mouthed, tattooed heroin addict and former IBM salesman who survived prison by becoming a racist thug and who, like many addicts, is a brilliant liar, so you can probably discount the IBM part; and Ann Livingston, a self-styled Saint Joan of Hastings who organized the Vancouver Area Network of Drug Users (VANDU) while raising three boys on her own and falling in love with Dean Wilson, God help her. There are also endless scenes of Philip Owen poring over draft proposals, jovially clapping people on the back, nearly walking through glass doors and the like, which don't add much to dramatic tension, but you've got to love the guy, and at least there's no swearing. Then there are the evil naysayers -- a colourful but sadly misinformed gang of beat cops, local business owners and Chinatown oldtimers who wouldn't know a four-pillar plan if they tripped over it, or so the revolutionary narrative goes. There are scenes that will properly scare you, others that will touch you (the battle waged daily in rat-infested alleys by a fearless and utterly determined band of public health nurses warrants a film of its own). In the end, however, I surprised myself by feeling neither deeply moved nor mobilized by Fix. If anything I felt a tad guilty -- for having committed the eighth deadly sin: failure to empathize. But as the dust in my brain settled over the next few days, guilt was replaced by anger -- for having been tricked into feeling guilty by a project designed to do just that. Then I saw Nijole Kuzmickas' film From Grief to Action, which documents a year in the hellish lives of four middle-class Vancouver families dealing with heroin-addicted children. And the tears flowed. Why? You could say my ability to selectively empathize with parents who are a lot like me and my husband, and whose gravely ill children are a lot like our kids, shows I'm afflicted with the "disposable-people" classism Wild targets in Fix. But that's not what this is about. A movie either works or it doesn't, and I don't care if it's set in Kerrisdale or the Downtown Eastside, as long as it's built on a message that is clear, honest and respectful of its subjects and audience. From Grief to Action, produced by Vancouver's Force Entertainment and set to air Nov. 17 on CBC Newsworld's The Passionate Eye, is named for the support/advocacy group founded a few years ago by two Kerrisdale families whose sons have fallen victim to the illness and to the misguided "war on drugs." There are now hundreds of parents from across the Lower Mainland actively involved in the group, including doctors, lawyers, teachers and homemakers who've put careers on pause to give their children the best start in life. Kuzmickas, a volunteer in Big Sisters who joined From Grief to Action following the drug-related death of her "little sister" Melissa Coleman three years ago, focuses sharply on the health issue: what the illness does to these young people and their families, the deplorable lack of resources for detox and long-term treatment, and the price we all pay for the vicious and endless crime cycle we create when we treat the victims as criminals. "An extremely powerful learning resource," is how Dianne Turner, principal of Point Grey secondary, describes the film. And it is -- not only for students but their parents, many of whom have already taken a lesson in harm reduction from the increasingly vocal Grief to Action advocates and who are now poised to mark their civic ballots accordingly. Indeed, some pundits have credited the lobby group for turning the elections into a mini-war on drugs -- but a righteous war, this time, with the health of our children and city at the forefront. Good on them. - --- MAP posted-by: Alex