Pubdate: Wed, 16 Apr 2003
Source: Style Weekly (VA)
Copyright: 2003 Style Weekly Inc.
Contact:  http://www.styleweekly.com/
Details: http://www.mapinc.org/media/430
Author: Taylor Loyal
Note: Taylor Loyal is a staff reporter for the Daily News in Bowling Green, 
Ky. He has written for Mother Jones magazine, blackathlete.com and Style 
Weekly.  Opinions expressed on the Back Page are those of the writer and 
not necessarily those of Style Weekly.

BAD RAP

None Of This Was An Issue Until Snoop Doggy Dogg And The Wu-Tang Clan 
Walked Into White America's Living Room And Brought Their Gritty Portrayals 
Of Street Life With Them.

Do you believe your children are so impressionable that if they hear a few 
catchy songs about criminal behavior, they are going to rush out the door 
to kill, rob or rape the next person they see?

Bill O'Reilly seems to think so.

Column after column, he rails against rappers in an unofficial second phase 
to the plan of Tipper Gore and the parental-advisory-sticker-happy Parents 
Music Resource Center. The conservative columnist and Fox News commentator 
says Eminem "sells degenerate behavior to kids," Ludacris is peddling "a 
life of guns, violence, drugs and disrespect of women," and Jay-Z just 
"wants to pimp."

As alternatives to rap music, O'Reilly offers up Elvis and the Beach Boys. 
While this is funny, it's not surprising. Hip-hop has a long history with 
simple-minded adults who've made names for themselves by attacking it.

It's been more than 10 years since Ice-T's band, Body Count, got pressured 
off Warner Bros. for singing "Cop Killer." That year, Clint Eastwood won 
two Academy Awards for offing some cops in Warner Bros.' "Unforgiven" and 
none of us seemed to notice the irony. But today, I'm hoping we've become a 
little smarter.

After O'Reilly threatened to boycott Pepsi for having a foul-mouthed, 
"immoral" spokesman a few months ago, they dropped rapper Ludacris and 
replaced him with . the Osbournes? O'Reilly patted himself on the back, but 
I'm still scratching my head. I've never sold drugs to either of them, but 
I'd be willing to bet that Ozzy Osbourne has gotten high much more than 
Ludacris. And anyone who's ever watched MTV will tell you that ol' Sharon 
and her kids have mouths filthier than any rapper. Ozzy might be cursing. 
I'm can't tell.

Bill O'Reilly would lead us to believe that he's worried sick about the 
poor kids in the 'hood who have no one to look up to except musicians who 
"rhapsodize the glories of handguns and cocaine." That fiery phrase came 
from an Aug. 18, 2001, commentary cleverly called "The rap on rap." He 
claims, in the same commentary, that rappers are feeding children "cheap, 
destructive images that will hurt them in the long run."

But the truth of the matter is that none of this was an issue until Snoop 
Doggy Dogg, the Wu-Tang Clan and the Geto Boys walked into white America's 
living room and brought their gritty portrayals of street life with them.

Even the rappers themselves know this. "The problem is I speak to suburban 
kids who otherwise would've never knew the words exist," Eminem says on his 
new album. "Hip-hop was never a problem in Harlem, only in Boston."

So now, upper-class parents across the nation are shaking in their boots 
because their young daughters could be in the street right now with 
headphones on their ears and guns in their hands. O'Reilly amplifies this 
fear by asking, "Did you know that in 1999 alone, 81 million rap albums 
were sold?"4

Nothing like a good statistic to back up your argument.

But did you know that since 1993 - the year that Snoop Dogg's "Doggystyle," 
Wu-Tang Clan's "Enter the Wu-Tang (36 Chambers)" and the Geto Boys' "Til 
Death Do Us Part" were released - serious violent crime (the type of crime 
described on those albums) has declined?

Explain that, O'Reilly.

A much more plausible argument might be the one that comes from the MCs 
themselves - the one about how if they weren't on the mic, they would be 
caught up in the very sort of life they rhyme about. It seems to me that 
even the most ignorant, unsympathetic, grumpy old man would have enough 
logic to realize, "Hey, Ludacris didn't rob my house last night. I sure am 
glad he got that gig over at Pepsi."

To use a term popularized by rappers, let's "keep it real" here for a 
second. Ludacris isn't robbing your house. Jay-Z's not pimping, and Snoop 
Doggy Dogg hasn't murdered anyone. He was accused, but acquitted. Eminem 
may rap like he's a tough guy who is going to kill his wife, but in real 
life he's such a softy he only lets his daughter listen to censored 
versions of his songs.6

On the other hand, Ozzy Osbourne actually did try to kill his wife. He also 
pissed on the Alamo, not that that really bothers me. And what about Brian 
Wilson? This Beach Boy became so psychotic he was actually scared of the 
ocean. He sang about his "Little Deuce Coupe," but was usually too drunk to 
drive in one. We all know about the drug-addicted, fat mess of a man we 
admiringly call the King.

In a eulogy for Elvis, which reads more like an eighth-grader's research 
paper, O'Reilly explains the King's drug use by telling his readers "fame 
got a hold of Presley and stalked him like a hound dog." O'Reilly actually 
blamed the fans, fame and a "manipulative manager" for Elvis' demise. But 
nowhere in the column does O'Reilly say the Memphis rocker was personally 
responsible. Seems a little odd to me, given the high level of 
accountability he holds rappers to.

This is the part of my commentary when you shake your head and say, "But 
Taylor, Ozzy is reformed and Brian Wilson had mental problems and Elvis 
never promoted drug use or overeating in his music. These rapper guys are 
glorifying negative lifestyles."

And this is the part of my commentary where I will indulge that line of 
thinking. It's true. There are many rappers who make me sick. Misogyny and 
murder aren't things that should be glorified.

But please have enough sense to ask yourself, "What is it that this rapper 
has seen in his life that would cause him to say these things?" Rap lyrics 
are often reflections of the world around the person writing them, and 
until you answer that question and you fix that problem, negativity is 
going to continue to be a theme in rap music.

Unfortunately, Bill O'Reilly will probably never understand that.

I just hope you do.
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MAP posted-by: Beth