Pubdate: Wed, 23 Apr 2003 Source: Oliver Chronicle (CN BC) Copyright: 2003 Oliver Chronicle Contact: http://www.oliverchronicle.com/ Details: http://www.mapinc.org/media/875 Author: Leslie Plaskett FILM BRINGS POWERFUL MESSAGE ABOUT DRUG ADDICTION TO OLIVER Nettie Wild is busy fielding phone calls in her Vancouver office Thursday, but this isn't unusual for the producer/director of a critically acclaimed film. She spends a few moments tucking away loose ends to clear the way for an interview, but once that is accomplished she is fully engaged. And engaging. It takes more than creativity to film a documentary about the dark alleys of drug addiction in Vancouver's east side; it takes courage, sensitivity and the ability to let the story take on a life of its own. Wild is acutely aware of the need to let a narrative speak true to its unique character, never forcing its shape or influencing the direction it takes. And while filming Fix: The Story of an Addicted City she found herself winding down roads less travelled and certainly not expected. "You have to be open to where it's going to take you and open to its contradictions. And you can't back away from the gnarls: the gnarls are what makes it. And I ran into a lot of gnarls." Her laughter at the memory is warm with compassion. It seems as though she is incapable of disdain, a quality that recurs like a theme throughout her conversation, "I am from Vancouver," she says when asked what compelled to her to make the film, "and my home is in a lot of trouble. But I didn't want to make a movie about how awful it was." Instead she got wind of a group of people, "health professionals and users who were taking risks to deal with the big issues of addiction as an illness." These individuals became the focal point of her film, "they asked the tough questions: 'is every life worthy or is there this population whose lives are negotiable?'" While filming Wild says she "saw how the situation could move from dysfunctional stasis to a point where the paralysis is broken." She is referring to a gentler more humane way to approach the problem of drug addiction; one that causes controversy, anger and fear. "We don't need to reinvent the wheel," she says of safe injection sites and other progressive ways to face the problem, "there are 26 cities doing this already." But not in North America, "Baltimore received a lot of attention just with their attempt at harm reduction," Wild states passionately, "they have been reasonably successful with providing needle exchanges and street nurses but safe injection sites were out of the question. The program was met with a continuum of controversy." She disagrees with the United States and their aggressive stance against drugs, "they use terms such as embattled and war on drugs; they see incarceration as a solution. It's one of the reasons we're so far behind." Yet in Canada and in particularly in British Columbia she feels there is hope and it seems ironic that she should come to this conclusion while filming an area that is steeped in despair. But 'Fix' has two meanings and it is the ability to heal or mend that Wild sees unfold as she tours with her film. "It is almost a social movement," she says of the momentum gained and the effect 'Fix" has on its audience. "I am discovering as I take the film around that there are people, not just in Vancouver, but in communities throughout BC, that want to do things to help - they are way ahead of the politicians." "People are worried about their own home," she observes about the discussions that take place in the forums after the movie has run. "The discussions are really well attended and there are people there who ground the discussions in the home scene." Wild says that there are always local health workers in each community and she says she particularly welcomes "the people who don't buy into this a bit - they ask the best questions." And in her opinion there are plenty of questions to ask, "Many smaller communities have a direct tie to the drug scene in Vancouver," she remarks, adding that often kids "go to Vancouver to party then come home to die." She asks, "Where else does it begin if not in your home town?" The problem exists in small communities she explains, but unlike Vancouver where it is highly visible, "there is a tremendous amount of energy expended (in one's home town) to keep it hidden. It becomes a legacy of shame." People in Whitehorse, for example, were shocked to learn from a street nurse that over 12,000 needles were handed out in a needle exchange. Wild, who is well known for her documentary on the Zapatista upraising in Chiapas, Mexico says that this particular story touched her in a deeper more meaningful way, "It was different. It was my province, my backyard. I filmed an extraordinary group of people," she says of the four who were pivotal to the story: Ann Livingston, a non user and organizer for the Vancouver Area Network of Drug Users; Dean Wilson, a former IBM salesman and current drug addict and activist; former Vancouver Mayor, Philip Owen who championed the drug philosophy of harm reduction and lost his job in the process; and Vancouver Police Sergeant Doug Lang who deals with the reality of the streets and describes his job as 'shoveling water'. The story of Philip Owen in itself is intriguing. "Here was this opaque guy at City Hall and his own party kicked him out because of his involvement," she says in amazement noting that "it may have been the rise and fall of Philip Owen - but at least he can sleep at night." Wild sums up her documentary with a sense of passion and belief, "The film woos people in; it is a story well told and by seeing it people will walk down a road they never would normally walk." If her film is anything like her conversation it will be a fascinating journey. Note: The film is playing at the Oliver Theatre Apr. 29; Wild will answer questions about Fix: The Story of an Addicted City after it is shown. Ken Benson of the Centre of Disease Control in Penticton and other local health care workers will also be in attendance. - --- MAP posted-by: Jay Bergstrom