Pubdate: Sun, 10 Apr 2005 Source: Herald News (NJ) Copyright: 2005 North Jersey Media Group Inc. Contact: http://www.northjersey.com/ Details: http://www.mapinc.org/media/2911 Author: Virginia Rohan, Staff Writer GETTING HIGH ON A MUSICAL One whiff of "Reefer Madness: The Movie Musical" and I was hooked, instantly transformed into a singing, laughing maniac. Showtime's film, making its TV debut Saturday, is a definite high. It's a colorful, campy, fun and feel-good tale of young love and decades-old propaganda, of drug-crazed zombies and wide-eyed townsfolk, blending dark humor with sunny production numbers. This toe-tapping project comes from two Jersey guys - Kevin Murphy and Dan Studney - who met in the mid-'80s as theater arts majors at Drew University and went on to storm Hollywood. Lyricist Murphy, a native of Tabernacle, is a writer on "Desperate Housewives." Composer Studney, who grew up in Hillside, has an eclectic showbiz resume that includes everything from "Party of Five" episodes to "Simpsons" comic books. On this recent evening, the two have returned to their alma mater in Madison to screen their new "Reefer Madness" (a big hit, by the way, among Drew students, as it was at this year's Sundance Film Festival). Seated in a lounge of the Student Center - their adoring mothers nearby - the two reminisce about their days at Drew, when they wrote two musicals together. That's also when they first saw "Reefer Madness," the notorious 1936 anti-marijuana film in which one puff transforms innocent young folks into oversexed, violent, cackling psychos. "My roommate in college and I were sort of video packrats," says Murphy, who double majored in political science. "We had, like, every movie ever made on a great big shelf in our dorm room, so we were aware of it, just like we were aware of other fun cult movies." The original was not just a bad movie, but a "gloriously bad" one, as Murphy and Studney say on their Web site (reefer madness.org), which also provides this fascinating history of the old film: Financed by a small, earnest church group, "Tell Your Children" was purchased by exploitation film maestro Dwain Esper, who cut in salacious shots, and slapped on a sexier title, "Reefer Madness." After a brief run, the film was largely forgotten until 1971, when Keith Stroup, founder of the National Organization for Reform of Marijuana Laws, bought a print for $297 and started showed it at pro-pot festivals. Subsequent distribution of the movie to college campuses throughout the '70s by the burgeoning New Line Cinema established its cult status. The idea of taking "Reefer Madness" to a whole new level came up while Murphy and Studney were listening to a Frank Zappa CD while driving back to L.A. from a film job in Oakland, Calif. "There was some reference to reefer in one of the song lyrics and then the idea popped up: Wait a minute, what about 'Reefer Madness' as a musical?" Murphy recalls. "By the time we made it back to Los Angeles, I'd written a song lyric, and Dan had a melody." Their "Reefer Madness" musical opened in L.A. in 1998 and had a successful run there. An off-Broadway production - which opened in 2001, days after the Sept. 11 terrorist attacks - folded fast. Nonetheless, plans for a movie version moved forward. Kristen Bell ("Veronica Mars" on UPN) reprises her role from the New York production as Mary Lane, the "vomitously perky" (in Bell's words) sweetheart of dimpled all-American Jimmy Harper, who dooms them by trying reefer. Harper is wonderfully played by Christian Campbell, who had the same role onstage. His sister, Neve Campbell, Studney's "Party of Five" pal, plays Miss Poppy, who runs a local ice-cream parlor. (There's even an appearance or two by Jesus, played as a sort of Vegas lounge lizard, by Robert Torti.) At the Reefer Den, we meet hostess Mae Coleman (Ana Gasteyer), her abusive pusher boyfriend, Jack Stone (Steven Weber), and two weed freaks: Ralph Wiley (John Kassir), a onetime college guy, and Sally DeBains (Amy Spanger), a "reefer slut." It's all dramatically narrated by "The Lecturer," a crusader who brings this cautionary tale to a small town, where parents crowd into the local high school. He is one of 10 characters played by Alan Cumming (who even does a mean Franklin D. Roosevelt). "Reefer Madness: The Movie Musical" has something for everyone. Its infectious songs, which invite a viewer to sing along, make it an heir apparent to "The Rocky Horror Picture Show." "From your mouth to God's ears," Murphy says. It also has inside references to other musicals and some stoner slang. But this "Reefer Madness" is only nominally about pot, its authors insist. "I'm not the marijuana-crusading guy. Neither is Kevin," says Studney, who does not want to disparage the people who are trying to get medicinal marijuana legalized. "It's not to belittle that, but that's not why we wrote this. I just don't think this is about that. Not at its core." So, what is it about - besides being what Murphy calls a "big, glitzy singing-dancing package complete with singing clams"? While researching the project, they discovered that William Randolph Hearst and Lammont DuPont "had a vested financial interest in getting industrial hemp legislated out of existence," Murphy says. Hearst and DuPont, seeking to protect their investments (paper production and nylon, respectively), joined Andrew Mellon, their banker, to quash the competitor. Mellon, who was also treasury secretary, installed his nephew by marriage, Harry J. Anslinger, as the first national drug czar. (The high school in the movie is named after him.) "This guy was kind of an insane pit bull, a crazy racist," Murphy says. "Hearst's papers would print wild stories - about this kid in Florida that hacked up his entire family with a pickax because he was high on marijuana - and Anslinger would cut out those articles and go before the Congress. "And then all the congressmen would say, 'Oh my God, what's happening?' ... Then, of course, Hearst would write that congressmen are up in arms because they're hearing about all the horror stories. - --- MAP posted-by: Derek